Welcome to Episode One of ‘Cinema and the Psyche’. I decided to start with an explanation of how I’m breaking down the cinematic medium for further study.
By choosing specific aspects of the form, based on their historical emergence, I’m able to see more clearly which creative/technical paths have been (to a greater or lesser degree) neglected.
Also, as promised, here’s the two links I referred to in the podcast:
Elia Kazan on What Makes a Director and
Why 3D Doesn’t Work and Never Will
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